By Allan Wilkie
Oil on canvas
h: 50 w: 60 d: 5 (cms).
This is another painting from my wild swimmers series. I like the aesthetic of the vintage costumes.
£2250.00
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By maggie king
Carved Limra Limestone, Ebonised Oak
h: 140 w: 50 d: 10 (cms).
£15000
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Living in the Atomic age by Robin Bourne BA(Hons)
Living in the Atomic age by Robin Bourne BA(Hons)
3 / 255
By Robin Bourne BA(Hons)
Acrylic painting on board
h: 46 w: 46 d: 1 (cms).
£400.00
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By maggie king
Carved Cadeby Limestone
h: 60 w: 60 d: 9 (cms).
£10000
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By sally grant
Iron Resin
h: 35 w: 26 d: 19 (cms).
£1150.00
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By Robin Bourne BA(Hons)
Acrylic painting on paper
h: 31 w: 40 d: 1 (cms).
£275
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By paula martyr
Montage
h: 50 w: 40 d: 1 (cms).
A montage in a recycled picture frame, using Tunnocks teacake wrappers to create the image and also to decoupage the picture frame.
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Encounter (aka Narratives of the Absent #12) by bing-chi wu
Encounter (aka Narratives of the Absent #12) by bing-chi wu
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By bing-chi wu
Photography, digital collage, giclée print on Hahnemühle Hemp paper (Edition of 3)
h: 19 w: 27 d: 1 (cms).
The landscape shot from the rocky shore is in the northeast corner of Taiwan, facing Japan. The whale origami looks like it is floating above the sea surface as if approaching and drifting away. The landscape and origami form several analogies, such as natural and artificial, rock and paper shapes, rock faces and geometric elements of the paper sculpture, and reflection on sea waves and different brightness with the granular on paper surfaces. In terms of culture, since Japanese origami profoundly influences the art of origami in the world, origami could be a trans-cultural medium. Both Taiwan and Japan are island countries. Taiwan was once under Japanese rule. As the origami representing Japan combined with the coastal scenery of Taiwan, it is quite a metaphor for political geography. In the natural world, whales are ecological guardians. Whale excrement is an essential nutrient for the growth of various algae, and the carbon dioxide of deceased whales sealed in the seabed can help mitigate climate change. Nevertheless, pollutants from human activities affect whale immune and fertility systems. Some whales die of accidental ingestion of garbage. The noise of ship engines affects the judgment of whales, making them difficult for communicating and hunting. As matters stand, are we still blind to these? In the creative practice, photography is used as a poetic means to freeze time; 'folding' is the creative channel to interact with and transform time; collage could be a method to make time in series. I ultimately use digital collage to merge landscape and origami images and adopt inject-printing to enclose these ideas into a work.
£200
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By tony aldrich
Acrylic on board
h: 45 w: 68 d: 1 (cms).
£750
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By ian oxford
Watercolour
h: 20 w: 50 d: 1 (cms).
£400
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By jane boot
Acrylic and pen
h: 17 w: 17 d: 1 (cms).
£275
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By jane boot
Watercolour and collage
h: 12 w: 12 d: 1 (cms).
£275
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By tanya reid
Hand-pulled Screen Print
h: 38 w: 28 d: 1 (cms).
£230.00
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By Mark Sacre
Acrylic on wooden panel
h: 15 w: 15 d: 2 (cms).
£100
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Summer Fields by Annabel Menheneott BA (Hons)
Summer Fields by Annabel Menheneott BA (Hons)
15 / 255
By Annabel Menheneott BA (Hons)
Acrylic on canvas with gold leaf
h: 60 w: 80 d: 3 (cms).
A contemporary painting abstracting the landscape.
£1600
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By sophie howard
Bronze resin
h: 40 w: 40 d: 25 (cms).
From the song La Mere by Charles Trenet, the Infinite Shepherdess rides across the sea and sky.
£900
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By gillian flack
Oil
h: 30 w: 22 d: 2 (cms).
£400
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By isobel shackleton
Collagraph and silk aquatint
h: 18 w: 15 d: 1 (cms).
Collagraph inspired by the shadows of a mooring rope on rough harbour walls in Padstow.
£175
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By mike service
Oil on board
h: 47 w: 52 d: 1 (cms).
£1250
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By tessa sulston
acrylic with silk screen print
h: 71 w: 71 d: 4 (cms).
This work includes two poems by Elizabeth 1. The large print in gold is 'The Doubt of Future Foes' a poem she wrote in 1569. It is a masterpiece of poetry which reflects on her thoughts and fears during a great time of turmoil in England. The second poem in the centre is 'Now Leave and Let me Rest' which she wrote at the end of her life where she reflects back on her reign. This work looks at the contrasts between the two poems set on a background of Richmond frequented by the queen, interlocked with her signature, an iconic image. The script from the British Library is by her scribe dated 1559 a copy of which is on the back of the work.
£1600
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By ingrid johannesson
Terracotta clay, with a wooden base
h: 37 w: 15 d: 15 (cms).
Hand built using slab, pinch pots, coils, texturing and imprinting to create a unique sculpture from terracotta clay. I have also handcrafted the earrings.
£349
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By ingrid johannesson
Terracotta clay with wooden base
h: 33 w: 12 d: 12 (cms).
Byron & Bird was inspired by a visit to the British Museum basement. I’ve used terracotta clay, and a variety of techniques: slab, coil, pinch pots, adding, texturing … and I’ve hand crafted the earrings.
£449
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By leo davey
Watercolour and Mixed Media
h: 80 w: 110 d: 1 (cms).
112 birds of the world in rainbow formation.
£16500
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Lincoln cathedral by shelley ashkowski BA (Hons), PGCE, SGFA
Lincoln cathedral by shelley ashkowski BA (Hons), PGCE, SGFA
24 / 255
By shelley ashkowski BA (Hons), PGCE, SGFA
Pen on Paper
h: 55 w: 76 d: 1 (cms).
£1500
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By sarah edge
Oil
h: 50 w: 50 d: 2 (cms).
Post WW2
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By Harriet Walsh
Oil on Board
h: 61 w: 42 d: 3 (cms).
Stef gets their first tattoo in the living room where they have been couch-surfing for several weeks.
£925
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By Laura Howarth SWA SWA
oil and cold wax medium on board
h: 51 w: 51 d: 2 (cms).
Oil and cold wax is gradually added in layers to build up depth of colour and texture in the final work
£1350.00
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By Laura Howarth SWA SWA
oil and cold wax painting on board
h: 51 w: 51 d: 2 (cms).
Oil and cold wax is gradually added in layers to build up depth of colour and texture in the final work
£1350.00
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By NJ Alphonsus
Oil on canvas
h: 40 w: 30 d: 2 (cms).
The painting can be viewed either vertically or horizontally, if selected, I would like the gallery to make the decision as to which you prefer!
£1000
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Twin Pill Beetles by Emily Hawtin BA(Hons) Fine Art with Placement Year at Bath Spa
Twin Pill Beetles by Emily Hawtin BA(Hons) Fine Art with Placement Year at Bath Spa
30 / 255
By Emily Hawtin BA(Hons) Fine Art with Placement Year at Bath Spa
Ink (Stippling)
h: 13 w: 13 d: 1 (cms).
Stippling experiment exploring the form and silhouettes of Pill Beetles through various poses.
£170
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By Carol Baines
Intaglio etching aqautint on Somerset paper
h: 15 w: 25 d: 1 (cms).
£175
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By Carol Baines
Intaglio a la poupee etching and aquatint on Somerset paper
h: 20 w: 29 d: 1 (cms).
£185
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By simone dawood
oil on linen
h: 41 w: 51 d: 3 (cms).
£725
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By ruth wallace
Compressed charcoal on paper
h: 119 w: 70 d: 1 (cms).
One of a series of drawings of a house in Bristol which was built in 1718 by a sea merchant who made his living from the Transatlantic Slave Trade. As a comfortable family home built on the profits of slavery and torment, the house presents a compelling duality; its walls, which have borne witness to three hundred years of domestic narrative, feel as if they contain presences and traces, not just of past inhabitants, but of those upon whose suffering the house was built.
£1800
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By sarah gooder
Indian Ink
h: 56 w: 76 d: 1 (cms).
Drawn with collected sticks
£500
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By carolyn carter
Acrylic on Board
h: 31 w: 31 d: 1 (cms).
£365
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By dinesha wijetunge-dinsmore
Etching with Acquatint
h: 17 w: 11 d: 1 (cms).
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By alison jenkins
oil
h: 15 w: 25 d: 1 (cms).
£440.00
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By alison jenkins
oil
h: 20 w: 25 d: 1 (cms).
£480.00
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La Nuit, Tous Les Chats Sont Gris by Creative-Buy-Design
La Nuit, Tous Les Chats Sont Gris by Creative-Buy-Design
40 / 255
By Creative-Buy-Design
Gouache, Ink and Pencil
h: 21 w: 30 d: 1 (cms).
£545.00
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Pause a moment to reflect on this place by wendy rhodes PhD
Pause a moment to reflect on this place by wendy rhodes PhD
41 / 255
By wendy rhodes PhD
Etching
h: 61 w: 40 d: 1 (cms).
£410
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By joanna wright
Screenprint/collage
h: 40 w: 30 d: 1 (cms).
£175
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By louella frankel jones
Etching with aquatint and chine colle
h: 32 w: 33 d: 1 (cms).
£290
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By louella frankel jones
Etching with aquatint
h: 29 w: 31 d: 1 (cms).
£255
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By maayan sophia weisstub
Pencil on paper
h: 21 w: 30 d: 1 (cms).
Self-Portrait as Fate, after John Singer Sargent
£2200
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By EdithHarry
Acrylic & ink
h: 50 w: 50 d: 2 (cms).
On box wood panel in floating frame.
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By june hammond
Ink on Paper
h: 80 w: 60 d: 1 (cms).
I am inspired and motivated by a desire to represent people's emotions, thoughts and opinions, particularly when they are complex, conflicting or difficult to understand. I am fascinated by faces and abstract facial features are a recurring theme in my work. "He’s Lost His Mind" seeks to explore how a complex mental ‘blockage’ affects the connection (or relationship) between mind and body.
£550
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By kate newington
Acrylic on gesso board
h: 60 w: 60 d: 2 (cms).
I used sections from some of my small collage still lifes as reference for this painting. I wanted to experiment with painting on gesso board and enjoyed the chalky, graphic quality of the result. I have for some years made collages that are so detailed that they look like paintings and with this picture I wanted to reverse that idea by making a painting that looks, in some areas, like a collage. I particularly relate to the still life work of the Cornish artists, past and present, who flatten shapes and experiment with textures, colour and the drawn line in a way that combines abstraction with figuration. I wanted to reflect that appreciation in this painting.
£650
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By Ember Kelly
Linocut
h: 42 w: 30 d: 1 (cms).
Every farm has a pile of stuff that might be needed one day. From a series of linocuts that explores this theme.
£130
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By Ember Kelly
linocut
h: 42 w: 30 d: 1 (cms).
£130
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By kate westcott
Black Iron Wire
h: 136 w: 47 d: 18 (cms).
£2000
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By kate westcott
Black Iron Wire
h: 140 w: 46 d: 21 (cms).
£2500
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I am invincible in these sunglasses by lucy bristow
I am invincible in these sunglasses by lucy bristow
53 / 255
By lucy bristow
acrylic on canvas
h: 61 w: 61 d: 3 (cms).
This was painted in response to the suffocating heat and lack of rain towards the end of a summer. All the usual colour palates were changed and the whole of the South Downs felt like it was craving rain.
£1200
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By jennifer golding
Woodcut
h: 45 w: 30 d: 1 (cms).
This is a reduction woodcut created by laying down a layer of ink and then cutting away areas before the next ink colour is laid down. This process can involve many layers. Most prints are printed in layers from light to dark. Every layer is cut by hand and all layers are traditionally inked using a roller and individually printed using a Columbian printing press.
£350
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I identify as a Delft Lion by pierre williams
I identify as a Delft Lion by pierre williams
55 / 255
By pierre williams
Ceramic
h: 73 w: 23 d: 26 (cms).
This piece is made in the tradition of European blue and white tin glaze. It uses the theme of putting animal heads onto human bodies to explore a current debate about 'Identity'. If we can Identify as anything we want this person has decided to be a Delft lion.
£2250
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By deborah harrison
Alabaster on Slate
h: 57 w: 37 d: 28 (cms).
A sculpture about mental illness and the hope of healing.
£11500
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By john walsom ROI
Oil on board
h: 61 w: 46 d: 1 (cms).
A studio painting based on an earlier plein air oil painting of Barton Street in Bath
£1850
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By Charles Clover
Ceramic & Ready Made
h: 12 w: 5 d: 5 (cms).
Raku Ceramic Bird with ready made base.
£183
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By Julia Cobbold BA(Hons)
Wood Engraving
h: 12 w: 12 d: 1 (cms).
£130
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By Charles Clover
Lino Cut
h: 15 w: 21 d: 1 (cms).
Lino Cut and Brown Paper
£164
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Just A Small Patch Of Chives by Julia Cobbold BA(Hons)
Just A Small Patch Of Chives by Julia Cobbold BA(Hons)
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By Julia Cobbold BA(Hons)
Linocut
h: 18 w: 22 d: 1 (cms).
£140
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By michelle dash
Mixed media, including raku fired ceramic, acrylic painted fabric, wood and found objects
h: 27 w: 20 d: 15 (cms).
£775
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By rebecca barnard
Oil and charcoal on canvas
h: 90 w: 90 d: 4 (cms).
Part of an ongoing series of abstract paintings called Street Life which takes its inspiration from from the sights and sounds of the streets: reflecting the ways in which we connect and separate through our structures
£1950
Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.
To enquire about this artwork, please go to the artist page.