Bath Society of Artists : 119th Open Exhibition (Non Members Only)

Purple Lilies

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Marriage a la Mode

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Dredger at Southampton Port

By evangelia hamilton phD MRTPI

Zinc Etching and Drypoint

h: 17 w: 25 d: 1 (cms).

This is a Zinc etching and drypoint made from real life of dredgers in the Port of Southampton.

£500

£420 (Unframed)

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Dredger at Southampton Port

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Cats on Hot Tiled Roofs

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Winter Reflections

By yuet yean teo

Linocut and handfinished

h: 30 w: 21 d: 1 (cms).

£200

£160 (Unframed)

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Winter Reflections

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Sheep

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Decision Time

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Gorse

By vladimir guculak

cotton thread embroidery on cotton fabric

h: 28 w: 79 d: 3 (cms).

A cross-stitching embroidery artwork titled ‘Gorse is based on a photo taken from a train travelling from London to Edinburgh that captures the gorse blossoming season. The work is comprised of 60,000 cross stitches.

£5700

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Gorse

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Otherworlds - Glacial Meltwater

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Giraffe

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Angler

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In search of a meaning

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Clash

By suzie edwards

Bronze (in frame)

h: 30 w: 30 d: 13 (cms).

Small bronze abstract figure in frame

£1800

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Clash

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The Brush Maker

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Three Minotaurs on their way to a Dance

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Contemplation

By rose eva

Anrochte Dolomite Limestone

h: 37 w: 27 d: 29 (cms).

This stone is also known as Savernake Green or Verde Ardesie

£2800

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Contemplation

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Have a Chair

By katya timoshenko

etching, aquatint

h: 29 w: 24 d: 1 (cms).

Fine 3 plate colour etching, aquatint and deep etch on copper, printed on Somerset Satin 300 gsm, edition of 25

£360

£270 (Unframed)

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Have a Chair

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Settlement

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Reflections on Copper

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All the birds are leaving …..

By susan green

Serpentine stone

h: 10 w: 23 d: 5 (cms).

£500

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All the birds are leaving …..

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Gateway

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Uncle Brown

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Composition in Blue and Green

By heather maclennan

Oil on canvas

h: 85 w: 121 d: 4 (cms).

Inspired by Le Corbusier’s Villa Savoie. An exploration of light effects and abstract elements created by the architecture of the subject with a narrative element in the human subject.

£2750

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Composition in Blue and Green

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Looking up Queen Street

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Sunday morning

By rebecca holton

Oil on linen

h: 75 w: 55 d: 2 (cms).

As a mother, there are so few times you can have time and space for yourself. This painting is of Victoria, a friend of mine and fellow mother. Her master bathroom was her brief escape and sanctuary from ongoing house renovation and motherly duties. In this painting, I wanted to capture and enlarge that moment of freedom. I wanted to remove any sense of confinement or end; I removed the left-hand wall, dramatically increased the ceiling height and multiplied the number of windows. Morning light is streaming through the crittall glass windows creating chequered reflections that dominate the painting, and even the figure. She disappears into the light and sense of escape.

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Sunday morning

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Caroline Chalk #3

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Corey

By Apolinar Dr

Acrylic on board

h: 30 w: 20 d: 1 (cms).

Colorado student based in Greenwich

£500

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Corey

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Toro

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Igniting the Green Fuse

By susan isaac

Acrylic & oil on panel

h: 72 w: 72 d: 4 (cms).

I experience this view every morning, returning from my walk in our orchard. I’m always struck by the verdant wave surging over the trackway, especially in spring, with the sudden greening of the hedgerows. I look forward to seeing each species come to life - from foreground nettles and Russian Comfrey to distant collapsing Goat Willow. Having grown up in a rural environment, I’ve always been mindful of nature. Expressing something of its inestimable strengths and its fragility seems increasingly important. Although living in the heart of the countryside, there are echoes for me here of Hokusai’s Great Wave.

£1500

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Igniting the Green Fuse

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RE//CONNECT

By sierra kargbo

Graphite on paper

h: 59 w: 42 d: 1 (cms).

My piece ‘RE//CONNECT’ is meant to explore the theme of loneliness through a different lense- the special type felt not when you’re simply just alone, but rather when you can stand in a room full of people- friends or family and still feel as if something is missing. I have tried to portray the desperation felt when one (unrequited) craves a stronger, faster connection with the people they already know and the accompanying feeling that what they really want is just out of reach.

£350

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RE//CONNECT

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Fluffball

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Searching for Whistler's Mother

By susan isaac

Acrylic & oil on canvas

h: 100 w: 50 d: 4 (cms).

Painted in my studio, this composition was partly inspired by the incidental relationship between my sitter and the two Cornish paintings behind him. In his workman-like hat and unobtrusive clothing he could have belonged in a nautical setting. As I neared completion of the piece, I was reminded of Whistlers portrait of his mother 'Arrangement in Grey and Black No. 1' and imagined my ever curious muse might be investigating that artist's life story via his mobile phone.

£1400

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Searching for Whistler's Mother

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Shoal

By mart orr

Porcelain

h: 52 w: 52 d: 6 (cms).

Porcelain fish manipulated ,patterned and glazed by hand. Each fish is unique.

£475

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Shoal

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White Horse Hill Uffington

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Peacock Garden

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Dancing Market

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Weaving the Fabric of the Universe

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Polymorph

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Sue

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Letting Go

By jacqui sheard BA(Hons)

Mixed Media

h: 88 w: 27 d: 23 (cms).

A moment of connection to nature and letting go. A response to my exploration into the lore of crows during lockdown. They are messengers between the physical and spiritual worlds and possess the capacity to see beyond the surface and understand the hidden truths of the world. This sculpture was created in 2024 from memories of the loss of my husbands mother during lockdown.

£2250

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Letting Go

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Green lane, East Devon

By karen steer

oil

h: 30 w: 40 d: 2 (cms).

a view from a regular walking route close to home. The low lying mist in the middle distance simplified the view. The frost lying in fields and track emphasised details on the ground and the lay of the land.

£450

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Green lane, East Devon

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Hedgerow

By julia brooker

Metal wire, aluminium & wood

h: 72 w: 90 d: 25 (cms).

Wire sculpture made with solid wood base 90cm long as in main photo

£1450

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Hedgerow

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Nocturne 2.0

By Nyree Meason BA

acrylic etching, printing ink

h: 59 w: 33 d: 1 (cms).

A triptych of etchings exploring my personal connection to nature. Furthermore, exploring the feeling of loneliness, belonging and feeling small in a world so big. As humans we are undoubtedly beings of nature but technology in this day and age has made us grow further from what is meant to be the most familiar thing to us. i wanted to think about this connection as an idea and depict the bittersweet feeling of existing in nature comfortably yet still feeling like an outsider.

£600

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Nocturne 2.0

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Jellyfish

By James Nunn

Linocut

h: 60 w: 30 d: 1 (cms).

Limited edition of 10 in 9 colours this one is teal. I also have light green and yellow currently framed

£350

£225 (Unframed)

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Jellyfish

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Mallard

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Study in Green and Blue

By heather maclennan

Oil on board

h: 38 w: 50 d: 1 (cms).

Inspired by Le Corbusier’s Villa Savoie. An exploration of light effects and abstract elements created by the architecture of the subject with a narrative element in the human subject.

£375

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Study in Green and Blue

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Ridges At Oliver's Castle

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Nine

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A Little Bit of Infinity Serpentine IV, 2020

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A Little Bit of Infinity Serpentine V, 2022

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A Little Bit of Infinity Serpentine VII, 2022

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Peach Stones, 2018

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Theme and Variation I, 2008

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Rorschach Leaf I

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Rorschach Leaf III

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